Suzanne Lucas and Her Ensembles Perform for Studio Sessions

a man is playing a saxophone in a dark room .

Photo of Suzanne Lucas and Rafael Silva in the WUSF Studio. Photo by Jazz on Arts Axis Florida

Meet Suzanne Lucas, the extraordinary jazz singer from Brooklyn, NY who captivates audiences with her unparalleled ability to craft each song into a unique masterpiece. In the world of jazz, her spellbinding phrasing and soulful interpretation, weaves stories through her music like no other. Suzanne has been captivating audiences with her unique blend of jazz, blues, and folk since she was a young woman. She recently stopped by the WUSF Performance Studio to perform with her bands the Hot Boyz and Black Box Duo.


Suzanne Lucas & the Hot Boyz:

Song List:

1. God Bless the Child - written by Billie Holiday and Arthur Herzog Jr

2. Temptation - written by Tom Waits

3. Folsom Prison Blues - written by Johnny Cash


Personnel:

Vocals - Suzanne Lucas

Piano / Bass - Rafael Silva Ruffus

Drums - Ray C. Williams

Black Box Duo

Song List:

1. I Wish You Love - Lyrics by Albert Beach; original music by Charles Trenet, Leo Chauliac

2. Night and Day - written by Cole Porter

3. Crazy He Calls Me

4. When Sunny Gets Blue - Marvin Fisher, Jack Segal


Personnel:

Vocals - Suzanne Lucas

Piano / Bass - Rafael Silva Ruffus

Drums - Ray C. Williams


Camera/Editing - Warren Buchholz

Assistance/Setup - Andy Harrison

Sound - Jackson Harpe

Jazz on Arts Axis Florida: What message do you hope to resonate with your audience when they hear your music?

Suzanne Lucas: When our audience listens to our renditions of jazz standards from the 20s, 30s, 40s, and 50s, I hope they feel a profound connection—not just to the rich history and timeless quality of these songs but to the emotions and stories that are as relevant today as they were back then. By reimagining these classics in a new way, in a more contemporary style, we strive to bridge generations, celebrating the “living of life" with love, loss, joy, and resilience that resonate across time. It's not about us or our interpretations; it's about honoring the legacy of these great artists and the shared human experiences their music captures. We want each performance to be a reminder that, though times change, our core emotions do not. Through our music, we aim to bring people together, offering a sense of belonging and understanding, and highlighting the enduring power of these songs to touch hearts. It's our hope that listeners, no matter their age or background, will find something in our music that speaks to them, comforts them, and reminds them of our shared humanity.


How do you choose what songs to play live?

The songs that I choose have to move me. They have to tell a story that I can relate to. I have to have a stirring in my soul because I can’t perform every song well. I perform songs that make me feel deeply. And i give that emotion to the audience so they can stir deeply inside.


Who are your musical inspirations?

My biggest inspiration is my mother. She was a jazz singer. She started in NYC and played all over the north east. She was even offered to play with Cy Coleman and his big band, and she turned it down to be a mother.

I was not raised by my birth mother, although I did have a relationship with her in my 40s until she died in 2017. When I was cleaning out her house, I found a whole bunch of recordings that she had done and many of my songs, I learned just by listening to her sing them to me. Many of those songs are in my Setlist and some cases I’ve never even heard the originals. I just heard her do them, and fell in love with them.


What is your favorite song or musical memory?

I was in a situation where I did not have contact with my birth mother; however, she somehow got a court order for my foster mother to let me hear her sing on a radio station out of DC. And never knowing her or how she felt about me, the song that she chose to sing on the radio told me that she loved me. I do this song now but it’s always a tearjerker for me. It’s just super raw emotion when I perform that song, and it always takes me back to the day I first heard her sing it to me. It was a Rolling Stones song called "As Tears Go By."

How do you prepare mentally and physically for a show.?

I tend to get very anxious before I perform. So I typically always do a shot of tequila right before I do my first set to just settle my nerves and give me that confidence in a shot glass.


What is your rehearsal process?

That’s a great question--most jazz musicians are so accomplished that they typically know thousands of songs from their head or can read it and play it as soon as you set it down in front of them. Working with Jazz is less about rehearsal and more about creating each person‘s interpretation of the music while you play it live and feed off of that energy. Jazz doesn’t really have a lot of boundaries or rules so if it was rehearsed, it wouldn’t be organically created live.


What makes playing jazz music in Florida so appealing?

Playing jazz music anywhere on the planet is appealing to me, as long as I have somebody that wants to play with me and somebody that wants to listen ….I’m good with it.


What’s your favorite memory of a live performance?

Playing at the Sarasota Art Museum for Jazz Thursday in November last year was pretty thrilling! The place was sold out, and there were 1000 eyeballs looking back at me, and you could hear a pin drop while we were performing. It was a true concert feel, and it was very different from playing in a club. unnerving but thrilling as well. 


What’s your top tip for musicians just starting to perform live at venues?

Just do it! The more you do it, the more comfortable you’ll feel and the better you’ll sound. That will relay out to your audience. Keep in mind that as long as they’re having a good time and you’re a showman, they’ll think you’re fantastic!

This interview has been edited for length and clarity.


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